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Aarhus Symphony Orchestra: Questions of Eternity - COMPACT DISCS—
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The Story
Title: Questions of Eternity
Artist: Aarhus Symphony Orchestra
Label: Our Recordings
Product Type: COMPACT DISCS
UPC: 0636943693629
Genre: Classical Artists
Release Date: 2026-06-05
Number of Discs: 1
At first glance, the choice of composers for this recording seems like an odd match: one cultivated a harsh,expressive musical language, while the other was a proponent of introspective soundscapes. One piece ends inan explosion, while the other offers us meditative contemplation.We also have an apparent clash of nationalities: Prokofiev was Russian, (b. Sontsivka, Ukraine) Silvestrov isUkrainian, and conductor Dmitry Matvienko is Belarusian. But through art and music, we can always meet indialogue and mutual understanding.What may first seem like madness has a clear logic. In Dmitry Matvienko's view, there are strong links betweenthe two composers. Quoting Valentin Silvestrov's belief that "only melody makes music eternal," Matvienkoexplains why he chose Quiet Music for this recording. Despite very different musical languages, both composerswere exceptional melodists who regarded melody as the foundation of all music, regardless of genre or 20thcenturyavant-garde trends.Matvienko also sees both works as shaped by their historical realities. Prokofiev's symphony reflects thedevastation of the post-war era and foreshadows future catastrophe, while Silvestrov's Quiet Music, written in2002, predates but resonates deeply with later conflicts. Prokofiev could not have imagined the tragedy thatwould unfold decades after his death, yet history reveals the cyclical nature of evil. His work on Eisenstein'sIvan the Terrible exposed a ruler's destructive paranoia - an allusion Stalin recognized. Today, Matvienko argues,history repeats itself in new forms. Against this, Silvestrov's Quiet Music offers consolation: a place of refugeopen to anyone, beyond nationality or religion, where sorrow can briefly be set aside.It was very important to Dmitry Matvienko to include this piece in this recording: "Silvestrov said in one of hisinterviews" - "I am so tired of the noise of this world ",- "I understand that and feel it very deeply. More andmore often I walk at night and listen to his music; not in headphones, but inside. And it gives me peace. I wantthis piece to be therapy and solace for our listeners as well."
Tracks:
Artist: Aarhus Symphony Orchestra
Label: Our Recordings
Product Type: COMPACT DISCS
UPC: 0636943693629
Genre: Classical Artists
Release Date: 2026-06-05
Number of Discs: 1
At first glance, the choice of composers for this recording seems like an odd match: one cultivated a harsh,expressive musical language, while the other was a proponent of introspective soundscapes. One piece ends inan explosion, while the other offers us meditative contemplation.We also have an apparent clash of nationalities: Prokofiev was Russian, (b. Sontsivka, Ukraine) Silvestrov isUkrainian, and conductor Dmitry Matvienko is Belarusian. But through art and music, we can always meet indialogue and mutual understanding.What may first seem like madness has a clear logic. In Dmitry Matvienko's view, there are strong links betweenthe two composers. Quoting Valentin Silvestrov's belief that "only melody makes music eternal," Matvienkoexplains why he chose Quiet Music for this recording. Despite very different musical languages, both composerswere exceptional melodists who regarded melody as the foundation of all music, regardless of genre or 20thcenturyavant-garde trends.Matvienko also sees both works as shaped by their historical realities. Prokofiev's symphony reflects thedevastation of the post-war era and foreshadows future catastrophe, while Silvestrov's Quiet Music, written in2002, predates but resonates deeply with later conflicts. Prokofiev could not have imagined the tragedy thatwould unfold decades after his death, yet history reveals the cyclical nature of evil. His work on Eisenstein'sIvan the Terrible exposed a ruler's destructive paranoia - an allusion Stalin recognized. Today, Matvienko argues,history repeats itself in new forms. Against this, Silvestrov's Quiet Music offers consolation: a place of refugeopen to anyone, beyond nationality or religion, where sorrow can briefly be set aside.It was very important to Dmitry Matvienko to include this piece in this recording: "Silvestrov said in one of hisinterviews" - "I am so tired of the noise of this world ",- "I understand that and feel it very deeply. More andmore often I walk at night and listen to his music; not in headphones, but inside. And it gives me peace. I wantthis piece to be therapy and solace for our listeners as well."
Tracks:
Description
Title: Questions of Eternity
Artist: Aarhus Symphony Orchestra
Label: Our Recordings
Product Type: COMPACT DISCS
UPC: 0636943693629
Genre: Classical Artists
Release Date: 2026-06-05
Number of Discs: 1
At first glance, the choice of composers for this recording seems like an odd match: one cultivated a harsh,expressive musical language, while the other was a proponent of introspective soundscapes. One piece ends inan explosion, while the other offers us meditative contemplation.We also have an apparent clash of nationalities: Prokofiev was Russian, (b. Sontsivka, Ukraine) Silvestrov isUkrainian, and conductor Dmitry Matvienko is Belarusian. But through art and music, we can always meet indialogue and mutual understanding.What may first seem like madness has a clear logic. In Dmitry Matvienko's view, there are strong links betweenthe two composers. Quoting Valentin Silvestrov's belief that "only melody makes music eternal," Matvienkoexplains why he chose Quiet Music for this recording. Despite very different musical languages, both composerswere exceptional melodists who regarded melody as the foundation of all music, regardless of genre or 20thcenturyavant-garde trends.Matvienko also sees both works as shaped by their historical realities. Prokofiev's symphony reflects thedevastation of the post-war era and foreshadows future catastrophe, while Silvestrov's Quiet Music, written in2002, predates but resonates deeply with later conflicts. Prokofiev could not have imagined the tragedy thatwould unfold decades after his death, yet history reveals the cyclical nature of evil. His work on Eisenstein'sIvan the Terrible exposed a ruler's destructive paranoia - an allusion Stalin recognized. Today, Matvienko argues,history repeats itself in new forms. Against this, Silvestrov's Quiet Music offers consolation: a place of refugeopen to anyone, beyond nationality or religion, where sorrow can briefly be set aside.It was very important to Dmitry Matvienko to include this piece in this recording: "Silvestrov said in one of hisinterviews" - "I am so tired of the noise of this world ",- "I understand that and feel it very deeply. More andmore often I walk at night and listen to his music; not in headphones, but inside. And it gives me peace. I wantthis piece to be therapy and solace for our listeners as well."
Tracks:
Artist: Aarhus Symphony Orchestra
Label: Our Recordings
Product Type: COMPACT DISCS
UPC: 0636943693629
Genre: Classical Artists
Release Date: 2026-06-05
Number of Discs: 1
At first glance, the choice of composers for this recording seems like an odd match: one cultivated a harsh,expressive musical language, while the other was a proponent of introspective soundscapes. One piece ends inan explosion, while the other offers us meditative contemplation.We also have an apparent clash of nationalities: Prokofiev was Russian, (b. Sontsivka, Ukraine) Silvestrov isUkrainian, and conductor Dmitry Matvienko is Belarusian. But through art and music, we can always meet indialogue and mutual understanding.What may first seem like madness has a clear logic. In Dmitry Matvienko's view, there are strong links betweenthe two composers. Quoting Valentin Silvestrov's belief that "only melody makes music eternal," Matvienkoexplains why he chose Quiet Music for this recording. Despite very different musical languages, both composerswere exceptional melodists who regarded melody as the foundation of all music, regardless of genre or 20thcenturyavant-garde trends.Matvienko also sees both works as shaped by their historical realities. Prokofiev's symphony reflects thedevastation of the post-war era and foreshadows future catastrophe, while Silvestrov's Quiet Music, written in2002, predates but resonates deeply with later conflicts. Prokofiev could not have imagined the tragedy thatwould unfold decades after his death, yet history reveals the cyclical nature of evil. His work on Eisenstein'sIvan the Terrible exposed a ruler's destructive paranoia - an allusion Stalin recognized. Today, Matvienko argues,history repeats itself in new forms. Against this, Silvestrov's Quiet Music offers consolation: a place of refugeopen to anyone, beyond nationality or religion, where sorrow can briefly be set aside.It was very important to Dmitry Matvienko to include this piece in this recording: "Silvestrov said in one of hisinterviews" - "I am so tired of the noise of this world ",- "I understand that and feel it very deeply. More andmore often I walk at night and listen to his music; not in headphones, but inside. And it gives me peace. I wantthis piece to be therapy and solace for our listeners as well."
Tracks:
